PIERCE CABRAL EDITIONS PRESS

Film FESTIVALS

FILM AWARDS

PHOTO FESTIVALS

12 FESTIVAL DE FOTOGRAFIA DE TIRADENTES 2023

Minas Gerais, Brasil.

I was one of 30 artists selected for the group exhibition SONHAR FUTURO by the gallery @atelieoriente. The exhibition traveled to occupy the gardens of the bustling Vila @fotoempauta, epicenter of the 12th Festival de Fotografia de Tiradentes from March 15 to 19, 2023 in Minas Gerais, Brazil.

In addition to the exhibition, Ateliê Oriente, a gallery and cultural hub for photography in Rio de Janeiro will occupy the coolest bar-restaurant-dance floor-cultural center-garden in the city: Plano B located in the Historic Center of Tiradentes where, there will be screenings, exhibitions, book launches, debates and a party.

Thank you @joaquimpaivaphoto for including me in your curatorship and the entire #atelieoriente team. It is very special to be able to release my latest work at my home state. AmeriCANA series will be launched in Minas Gerais.

March 2022

11 FESTIVAL DE FOTOGRAFIA DE TIRADENTES 2022

Minas Gerais, Brasil.

Being part of this exhibition is like going home. I am so happy to announce my project MINE_IRA is part of Festival de Fotografia de Tiradentes in Brazil. Showing this work at this space so carefully created for photography in my own home state of Minas Gerais is very meaningful to me.

The curatorial team was composed of Anna Karina Bartolomeu, Gabriela Sá e Madu Dorella. They selected 42 photographers to be part of the exhibition Traços do Singular from over of 649 submissions. The Festival lasts 4 days in which several exhibitions, lectures and book releases take over the Tiradentes, one of the historical cities of my home state.

FESTIVAL DE FOTOGRAFIA de TIRADENTES

ExHibition Traços do Singular

March 16th - 20th, 2022

Centro Cultural Yves Alves - Rua Direita, 159

Centro Historico, Tiradentes.

Minas Gerais, Brazil.

De 16 a 20 de março de 2022 estarei em Tiradentes, MG. Uma das fotos da minha série MINE_IRA estará na exposição Traços do singular durante o Festival de Tiradentes. Não vou poder estar presente mas para os mineiros amigos, vai o convite!

A exposição Traços do Singular é resultado da convocatória aberta ao público em 2020 cujo tema foi a construção de identidades. Esta exposição foi uma curadoria de Anna Karina [@annakarinacb], Gabriela Sá [@dsagabriela] e Madu Dorella [@madudorella].

ARTISTAS SELECIONADOS: Ana Sabiá (SC), Andrea Nestrea (RJ), Angelo Arantes (MG), Antônia Muniz (PA), Arthur Kolbetz (RS), Bárbara Lissa (MG), Bruna Corado (AL), Camila Falcão (SP), Carolina Kotchtkoff (SP), Coletivo Paisagens Móveis (MG), Dan Agostini (SP), Danny Salas Garcia (SP), Dayane Gomes (MG), Estefânia Gavina (SP), Ester Cruz (DF), Fernanda Chemale (RS), Helena Teixeira Rios (MG), Igor Cavalcante (CE), Jennifer Cabral (EUA), Jessica Lemos (BA), Joaquim Paiva (RJ), Laura Camarano (MG), Letícia Zica (França), Lorena D’Arc (MG), Luciola Zvarick ( SP), Mari Gemma de La Cruz (MT), Mariana Bastani (MG),Mariana Pêgas (RJ), Marina Feldhues (PE), Maurício Igor (PA), Mayk Brambila (RJ), Mazé Martins (DF), Mônica Paes (SP), Nina Mello (MG), Pedro Cattony (SP), Raquel Reine Areias Gandra (RJ), Rodrigo Pinheiro e Gal Marinelli (RJ), Sara Não Tem Nome (MG), Thaina Souza Silva (SP), Vinícius Xavier (BA), Virna Santolla (RJ), Xikão Xikão (MG). Local: Centro Cultural Yves Alves | Rua Direita, 168 - Tiradentes/MG.

O 11º Festival de Fotografia de Tiradentes do @fotoempauta é realizado com recursos da Lei Federal de Incentivo à Cultura e patrocínio da @cbmm_oficial e do @itau.

#mine_ira #fotoempauta #photofestival #tiradentes #traçosdosingular #arte #vempratiradentes #culturamg #fotoempauta #festivaldefotografiadetiradentes #fotografiabrasileira #fotografiabrasileiracontemporânea #photofestival #fotofestival #contemporaryphotography

1st edition Feb. 2020 | 2nd edition Mar. 2022

10* Festival de Fotografia de Tiradentes

Centro Cultural Sesiminas Yves Alves

Tiradentes, Minas Gerais, Brasil.

EXPOSIÇÃO TRAÇOS DO SINGULAR

I am excited to announce my project MINE_IRA will be part of the Photography Festival of Tiradentes in Brazil. After having this project awarded at Latin American Fotografia 8 and featured in four online publications including Der Greif and Urbanautica, I am excited to have this work being shown in my own country. The curatorial team was composed of Anna Karina Bartolomeu, Gabriela Sá e Madu Dorella. They selected 42 photographers to be part of the exhibition Traços do Singular from over of 649 submissions.

COLLECTIVeS

SHORTLISTED

LANDSCAPE STORIES Blog #30

Project MINE_IRA is being featured on Landscape Stories. This is an independent Italian publication created in 2010 that has since established itself as a relevant channel to the presentation of fine art contemporary photography.

The proposal of their current issue #30 is on Archives. The librarian in me is delighted to be part of it.

“The archive fulfills the fundamental function of conservation, selection and accessibility. All of us then, voluntarily or not, always glean from the personal archive, buried and at rest in the immaterial rooms of our memory. Taking for granted the value of collective expression of a community's cultural memory, art in its best cases is capable of causing short circuits or inspiring reflections. When did we start to get interested in archives? Why does contemporary photographic research frequently make use of reinterpretation of archival materials? Which roles, meanings and forms has the archive issue assumed in contemporary practice? The results are changeable: from the vernacular to private family albums, from the object trouvé to mixed media.”

Jan 7th, 2020

INTERVIEW AT SHADES COLLECTIVE

Baltimore, MA

I was featured on the series “Take Our Seat”, where Shades Collective highlights those pursuing creative and academic goals, while paving the way to further the representation of marginalized individuals within the arts and humanities. SHADES COLLECTIVE (est. 2019) is a multidisciplinary online publication dedicated to fostering mindful, equitable, and intersectional exchange and scholarship. It was dedicated to furthering the representation and education of BIPOC in personal or professional pursuits of creativity. After the closing of their website, excerpts of this interview are available here.

URBANAUTICA | Journal of Visual Anthropology

MINE_IRA is now part of the archives of @urbanautica journal - an independent publisher in Italy working on photography, visual anthropology and cultural landscapes created by Steve Bisson. Thank you for the special mention on such a relevant subject : EXTINCTION. OR THE WORLD WITHOUT US?

“Works regarding a pressing problem of crucial importance. Human destruction of the living world is causing a “frightening” number of plant and animal extinctions, according to a growing number of scientists, studies, publications, and reports. In the last century, the awareness that human activities are harmful to the environment, to life in general, including that of humans has increased. Wars, climate change, diseases, pollution, technological escalation, deforestation are just some of the threats that challenge the survival of the species.
A great deal of literature and cinema have also contributed to this dystopian vision of the future. Even to imagine a "world without us". For these reasons, we are eager to discover and spread photographic and/or visual projects that nourish, document, develop, interpret, tell and question the theme of extinction.”

Der Greif | Guest Room

Berlin, Germany

Honored to have project MINE_IRA featured at Der Greif. Thanks to curators John Fleetwodd and Eric Gyamfi.

Guest Room is a monthly online exhibition with open submissions curated in real-time by personalities from the international photography scene. Guest Room aims to spark collaborations. That’s why John Fleetwood is teaming up with Eric Gyamfi, a photographer based in Ghana in chosing the theme for this installment. Eric Gyamfi has provided the following quote as the theme/subject:

“Perhaps I was looking for something that refuses to be photographed. I was only chasing shadows, perhaps”

~ From the monograph ‘Chasing Shadows’ by Santu Mofokeng.

ENTREVISTA

MINE_IRA no Rio de Janeiro

Lapa, Rio de Janeiro

Sou tão grata a este diálogo que acabou de ser publicado por Lilian Oliveira, colunista do Núcleo de Cultura Saravá Cultural, o blog de cultural do PT do Rio de Janeiro, e Gestora Cultural do Dialogo Gestao em Belo Horizonte.

Poucas vezes pessoas se debruçam sobre tua arte e dedicam espaço, tempo e reflexão para que sintetizem tua série de fotografias tão bem: “MINE_IRA: uma denúncia poética da violação do meio ambiente (da Serra do Curral)”

Convido a se perderem nesta longa entrevista em que Lilian Oliveira entrelaçou os direitos da mulher e da montanha.

Leia entrevista completa aqui: Nucleo de Cultura do Partido dos Trabalhadores Lapa Rio De Janeiro

EXHIBITIONs

JKC Gallery, New Jersey

THE ROAD HOME. MIGRATION, DISPLACEMENT AND REDIFINING WHERE WE LIVE will be a visual conversation among artists who have experienced different forms of identity displacement, whether physically, socially, or emotionally. I will be exhibiting alongside 8 other photographers who’s works explores the theme of immigration.

Looking forward to seeing our works together in this space: Icia Vazquez Rodriguez @iciavazquez, Jennifer Cabral @jennifercabral Rola Khayyat @rolesk, Fátima Martínez Gutiérrez @fatigrafias, Camilla Martineli @zazueira, Yshao Lin @yshaolin, Tomas Ayso @tomas_ayuso, Maysun @maysun_photo & Ara Oshagan @ara.oshagan.

JKCGallery is a gallery for photography and lens-based work from international - and regional-noted artists. I am so grateful to Curator Ryan Casey artist, organizer and adjunct professor of Photography, Art History and Critical Theory in New Jersey and Professor and Gallery Director Michael Chovan-Dalton (host of @realphotoshow and producer of @photoworkpodcast - both must-listen photo podcasts).

Reception and artist panels including zoom will be on Wednesday, March 2nd at 12 Noon and 6:30pm. Register at https://docs.google.com/forms/d/e/1FAIpQLSeWlU33Uj-9fhpXuQ3appWE2ptpas9YZoqJq8Errz7I-XvNHQ/viewform

Gallery hours are by appointment only. Reservations at https://forms.office.com/pages/responsepage.aspx?id=jSYNCfenoEiXZEU1ZUk8nB5IzrZI-nBEkZbf9ItlaahUQUg3QTZZTjNHTVpEQzIyMjBCS0VNTkw2OC4u

UPCOMING EXTENDED HOURS

Gallery is closed during Spring Break.

Hours from March 28th - April 1st

Mon. March 28th - 2PM-7PM
Tue. March 29th -10AM-2PM and 3-7PM
Wed. March 30th - 3-7PM
Thu. March 31st - 3-7PM
Fri. April 1st - 5PM-7PM

JKCGallery Hours by appointment only.

JKCGallery

March 1st to April 1st, 2022.

Reception and artist zoom panels on March 2nd. 2022.

137 North Broad Street, Trenton NJ 08608 (Academy St is the cross street)

Aug. 10th to Sept. 4th 2021

SUTURED RESILIENCE

Artworks Trenton Visual Art Center, New Jersey.

The group art exhibition, “Sutured Resilience,” brought together three female artists, Jennifer Cabral, Kat Cope, and Chanika Svetvilas, who explore trauma, memory, and empowerment. Together the artists hold space for the community to witness transformation, healing and the search for resolution.

Each artist’s unique narrative traces their lived experience of trauma to re-envision a healing journey. This multifaceted and multi-media exhibition gave the viewers the opportunity to explore narratives of trauma with empathy and a vehicle to share space with those who identify with the challenges and healing power of resilience.

In additions to An artist talk, a community workshop was offered by the artists. At the “Quilting Stories” workshop led by artist Chanika Svetvilas, she invited those impacted by mental health difference and/or trauma whether personally or by friends and family, to create art that exploreD the lived experience, stigma and methods of support. The participants had the opportunity to share their creations in a collective installation in the Trenton Artworks Community Gallery.

For the last day of the exhibition Sutured Resilience the artists wanted to create a spontaneous, interactive, and renewing gallery experience - an offering left behind to the community that visited Artworks Gallery in Trenton, New Jersey.

The soundscape available in the gallery was made possible by the collaboration with visual artist and musician Doreen Kirchner. Kirchner mixed spoken words by Chanika Svetvilas, the Irish Bohram drums of Kat Cope and the chanting and drumming sounds by Jennifer Cabral. Permeated by bird songs the recording produced by Kirchner became simultaneously stimulating and soothing to those who were present.

The artists wanted to give the impression they had just been present in the gallery and a healing ceremony was taking place, welcoming visitors into an enveloping healing space. Individual bags with flower petals, including an egg shaker, was made available to visitors, so they could join the rhythm of the audio and scatter flower petals where they would like to leave an offering to a work of art that resonates with them as a way to ground their experience. 

SUTURED RESILIENCE PARTICIPATING ARTISTS

Sutured Resilience invites the public to imagine a reality where strength is found in vulnerability expressed through text, photography, sculpture, drawing, mixed media, installation, video and participatory actions.

Kat Cope - Cope’s research focuses on building protective armour as a healing act connected to metaphorical protection in order to process unresolved childhood trauma through wearable sculpture, performance and video. Her objective is to examine how adults who have experienced trauma in childhood create physical and emotional boundaries against pain and vulnerability. She visually communicates these boundaries by constructing protective armour as a defense against further pain, such as, the “Blinder Collar” worn in her performance “Cut it Out Suck it Up”. The armour collar also becomes a trap limiting the movement and healing of the individual. Cope’s visual experimentations explore through the act of making, recording and performing the peeling away of these layers to allow for healing. https://www.katcope.com/

Chanika Svetvilas - Svetvilas’ interdisciplinary work explores her lived experience of mental health difference as someone with the diagnosis of bipolar disorder, the impact of the stigma and discrimination encountered and the slippage between the medical diagnosis, intersectional identity, and disability justice. In her large scale drawings she uses charcoal as a transformative material that in its activated form absorbs chemicals. Printed medical texts and research studies, are reproduced by hand and juxtaposed with collage and motifs to magnify and question the contradictions of the generic information with personal experience. Marks and smears from the drawing process resist to be contained by the page and print boundaries. Her contorted prescription bottle sculptures reflect distortions from side effects; adornment of acrylic gems and gold chains conveys the inaccessibility of big pharma; and combined found objects express the complicated relationship with prescription meds and endless cycles of care. https://chanikasvetvilas.com/

Jennifer Cabral’s “Borderline: A Manifesto" series of silver-gelatin prints juxtaposes the American Southern Border traced onto a body with the intervention of a red pen. Borderline emerged from two very impactful events - one geopolitical in which a continuous wall was proposed to be erected on the southern border of the United States that questioned the rights of the Latinx community to reside in this country. The second one was personal in which Cabral’s own chest had been marked with a pen, to delineate the area that the surgical knife would make by the removal of her left breast due to cancer. In Cabral’s “MINE” series, she delves further uncovering traumatic childhood experiences of abuse and betrayal while equating the violation with the mining exploitation of Brazilian mountains for iron ore. The play with the word, “mine,” both noun and possessive pronoun is transposed onto a family archive of photos. The Serra Curral Del Rey’s slopes are outlined  from her childhood memory, a mountain ridge in Cabral’s hometown of Belo Horizonte. 

Artworks Exhibition Committee has chosen the exhibition “Sutured Resilience” based on it’s aesthetic and curatorial focus to occupy this space during the summer of 2021. Artists Kat Cope, Chanika Svetvilas and Jennifer Cabral will coordinate online events and a physical exhibit following safety protocals for the New Jersey Community of Mercer County.

Once a Sears Department Store warehouse ready to be demolished, the building was preserved and turned into an arts center. Remarkably, this warehouse was spared and since 1988, Artworks has operated art classes, studios and exhibit spaces in this preserved space.

#artspaces #historicalpreservation #artexhibition #femaleartists

Nov. 2020

Unique minds, Creative voices

Princeton University, NJ

The exhibition “Unique minds, Creative voices” presents artworks that translate the importance of mental health awareness and the significance of destigmatizing neurodiversity and mental illness.

This exhibition is part of Princeton University’s Mental Health Awareness Month, happening throughout campus and has a special emphasis on the importance of mental wellness and self-care during the current Pandemic.

My series of photographs MEMBRANES will be part of this virtual 3D exhibit and in a printed exhibition catalogue. These photographs address the fear of mutual contamination and necessary social distancing during the current pandemic and it’s emotional impact, specially heightened for immune-deficient individuals. MEMBRANES is part of a series of works called I wash my hands I’ve been creating throughout the Covid-19 pandemic.

The opening of this virtual exhibition was marked by a discussion among the artists. Nov 9, 2020 and the printed catalog to be released in Dec. 2020.

Dec 14th 2019

Məˈmenˌtō Proyecto

Vaivén: Dede la Migración y la Estancia

MACPR - Museo de Arte Contemporáneo de Puerto Rico

Dec. 14th, 2019 - Feb. 2020

Galeria zona creativa MAC - 1er piso

My work Borderline Manifesto is being included on the first edition of Memento proyecto A preview of this project was showcased at Museo de Arte Contemporânea de Puerto Rico. Borderline Manifesto was shown alongside 8 other Latin American artists.

Məˈmenˌtō; is a cultural and curatorial project dedicated to the propagation, preservation and study of contemporary photography of caribean and latin american artists. Presented as a series of postcards, this projects emerges after six months of studies in the Programa de Estudios Independientes del Museo de Arte Contemporáneo de Puerto Rico. The first edition being published is Vaivén: Dede la Migración y la Estancia.

The announcement of this ongoing cultural project took place at the Museo de Arte Contemporânea de Puerto Rico which reinforces the bonds of culture between and among the countries of Latin America and the Caribbean basin, as well as the Latinx communities and the Puerto Rican diaspora in the United States.

Founded in 1984, the Museo de Arte Contemporáneo de Puerto Rico (MAC) was born out of the will of Puerto Rican artists and cultural workers who recognized the urgency to create an alternate model for exhibiting contemporary art and its issues. The MAC is the only institution in the island expressly dedicated to the study, collection, preservation, exhibition and promotion of art produced since the mid-20th century in Puerto Rico, the Caribbean, Latin America, and its diasporas.

Mar 14th, 2019

Group exhibition “From Within”

Princeton University - Center for Collaborative History

February 1st - March 15th, 2019

113 Dickinson Hall at Princeton University. (Directions)

Gallery Hours: Monday - Friday 9:30AM - 4PM

An Artist Talk will be hosted on Thursday, March 14, 12 noon to 1 pm where I will have the opportunity to discuss my work along side artist Chanika Svetvilas. The exhibition area created inside the Center for Collaborative History at Princeton University showcased faculty and staff works.

Some photos of the artist talk are available here: https://iegap.princeton.edu/from-within-art-exhibit-3-14/

Oct. 26th, 2017

Mercer County Photography Biennial 2017

Silva Gallery of Art - The Pennington School, NJ.

October 26th - December 8th, 2017

Borderline Manifesto was included in the juried exhibition "Mercer County Photography 2017" curated by Anita Allyn, Associate Professor of Art at The College of New Jersey and an interdisciplinary artist whose works combine photography, video, animation and print.

July, 6th 2013

E.S.P. | Extra-Sensorial Perception |

a Feminist Art Show

Brooklyn Fireproof

July 6th, 2013. 8PM-2AM
119 Ingraham St, New York, NY 11237 (Morgan Avenue stop L train)
(all proceeds will benefit Planned Parenthood and Womanspace)

I will be showing my work Visual Conceptives at BROOKLYN FIREPROOF in East Williamsburg during E.S.P. | Extra-Sensorial Perception | a Feminist Art & Variety Show. A show.

This show had been cancelled for lack of support by the original venue that was opposed to it’s goal: to raise money to Planned Parenthood and www.womanspace.org – a non-profit organization in NJ dedicated to assist victims of domestic violence and sexual assault.

We are now achieving what curator Doris Yuan originally proposed: to create a platform for emerging feminist artists and establish a link between artists and communities. Thirty artists from various parts of the country, will be participating of a group exhibition and during opening night there will be a series of music and comedy performances.

Sept. 1st, 2011

SETE DIAS DEPOIS - SOLO EXHIBITION

PUC - MINAS

8 a 30 de Setembro, 2011

Departamento de Comunicação - Prédio 13 - 3° andar

Av. Dom José Gaspar, 500 - Coração Eucarístico. Belo Horizonte, Minas Gerais, Brasil.

A Faculdade de Comunicação e Artes (FCA), com o apoio do Laboratório de Fotografia da PUC-Minas, realiza a exposição Sete Dias Depois, da fotógrafa Jennifer Cabral, em comemoração aos 40 anos da Faculdade. O trabalho ficará à mostra a partir desta quinta-feira, dia 8, até 30 de setembro, no terceiro andar do prédio 13, no campus PUC - Coração Eucarístico.

A tragédia, no dia 11 de setembro de 2001, que para muitos minou o poder simbólico da grande potência do século XX, deixou legado não só nas relações políticas e econômicas, como também influenciou com intensidade a produção de arte na maior cidade dos Estados Unidos. Uma abordagem direta desses eventos foi realizada pela brasileira Jennifer Cabral, que foi morar nos Estados Unidos exatamente em 2001.

O trabalho Sete dias depois apresenta imagens de Nova Iorque dias após os atentados às torres gêmeas. A artista e publicitária volta seu olhar aos apelos desesperados dos familiares de pessoas desaparecidas que estavam nas torres no momento do ataque.

Cartazes de procura eram afixados em qualquer superfície que pudesse ser facilmente vista pelas pessoas e, ironicamente, nada melhor do que as placas publicitárias para cumprir essa função. O resultado é uma mistura de informações e intenções, em que o apelo publicitário se rende à desesperada busca por informações do paradeiro de entes e amigos, possíveis vítimas do ocorrido.

Press Coverage:

Tempo, O. (2013, April 25). Exposição reúne fotografias de Nova Iorque sete dias após os ataques de 11 de setembro. Retrieved May 27, 2011, from https://www.otempo.com.br/diversao/exposicao-reune-fotografias-de-nova-iorque-sete-dias-apos-os-ataques-de-11-de-setembro-1.132751

Diario Oficial da Prefeitura de Belo Horizonte. Retrieved May 27, 2011, from http://portal6.pbh.gov.br/dom/iniciaEdicao.do?method=DetalheArtigo

Colegiado Informa Especial - PUC Minas. Retrieved May 27, 2011, from https://www.yumpu.com/pt/document/read/38760163/colegiado-informa-especial-puc-minas

June 12th, 2010

St. Michael Preservation EXhibit

D&R Greenway Land Trust

Saturday, June 12th, 2010

11:30AM - 2:30 PM

The series of photographs "Orphan Land” was part of this exhibition and sale of plein-air art created on the St. Michaels Farm Preserve in celebration of the sucessfull efforts by D&R Greenway Land Trust in preserving this land from real state development.

Aug. 31st, 2007

Here is New York: Remembering 9/11/01

New York Historical Society

Aug. 31st, 2007 – Jan. 1st, 2008

Robert H. and Clarice Smith New York Gallery of American History

170 Central Park West
New York, NY 10024

Here is New York: Remembering 9/11/01 includes a selection of 600 photographs drawn from the over 1,300 photographs in the here is new york, a democracy of photographs collection, one of the largest photographic archives ever devoted to a single event. Three photographs by Jennifer Cabral are part of this archive. These photographs, documenting Ground Zero from the burning buildings, rescue, people fleeing, firefighters, police, objects, memorials, victims, and protests, among many other categories, were originally exhibited from September 2001 through fall 2002 in a SoHo installation.

Jennifer Cabral participated of the original exhibition Here is New York, was included on the book published by Scala of the same title, in addition of participating of this exhibition.

References:

Rothstein, E. (2007, September 11). Remembering Lower Manhattan's Day of Horror, Without Pomp or Circumstance. The New York Times. https://www.nytimes.com/2007/09/11/arts/design/11muse.html.

June 5th, 2004

Arts for Peace Gallery

June 1st to July 25th, 2004.

38 West 88th St. - New York NY 10009

Gallery hours: Monday through Friday 10AM - 5PM.

March 1st, 2003

The Plainsboro Museum

Plainsboro Historical Society

March 2003 - First and third Sunday.

641 Plainsboro Rd. Plainsboro NJ 08536

The Plainsboro Historical Society is a non-profit organization dedicated to preserving and promoting the history of Plainsboro Township. Jennifer Cabral documented the daily life at Stults Farm, which have been in operation since 1915. This beautifully preserved farmland safeguards 200 acres from real state development and provides the local population with fresh produce year around. Cabral’s photographic documentation was donated to The Plainsboro Historical Society. Her photographs will be included regularly in the rotating exhibitions at this Historical museum.

Sept. 25th, 2001

Here is New York

116 Prince Street - Soho

New York City 10012

Sept. 25th 2001 - 2003

On September 25, 2001, an exhibition opened in a previously vacant storefront in SoHo as a response to the events of September 11 by writer Michael Shulan, photographer Gilles Peress, photographer Charles Traub, and photography curator and editor Alice Rose George who invited to hang pictures of the city by anybody and everybody who submitted them.

Here is New York mounted exhibitions in several cities in the U.S., Europe, and Japan. Its book Here is New York: a democracy of photographs, which included 821 selected images, was published by the Swiss publisher Scalo.

These photographs are now included in the permanent collection of New York Historical Society. Jennifer Cabral participated on the exhibition with three images and had one photograph published in the book of same title. Project Here is New York received the ICP/Getty Cornell Capa Award for distinguished achievement in photography in May of 2002.

References:

Guide to the Here is New York Collection. Retrieved May 30, 2011, from http://dlib.nyu.edu/findingaids/html/nyhs/hiny/bioghist.html

Friedlander, Y. (2014, November 18). Here is new york (Photoshow book). Retrieved May 30, 2020, from http://www.charlestraub.com/new-blog/2018/3/15/here-is-new-york-photoshow-book

March 12th, 2001

Segmentos - Fotografias

Livraria Letras e Expressões

Ipanema, Rio de Janeiro, Brasil.

Abertura 12 de Março, 2001 às 20h - Visitação de segunda à sabado de 10h às 18h.

A exposiçãao de fotografias Segmentos da artista plástica mineira Jennifer Marie será inaugurada na próxima segunda-feira. As fotografias enfocam sempre detalhes, revelando uma visão pessoal da artista sobre dois temas principais: o cenário urbano e as formas humanas.

Press coverage: Jornal do Brasil. Revista Programa. Ano 16. Número 50. 9 de Março de 2001.

Nov 5th ,1999

ContaminaçÕes - PROJETO CULTURAL

Centro Cultural da Universidade Federal de Minas Gerais

05 a 21 de Novembro de 1999

Av. Santos Dummond, 174 - Centro, Belo Horizonte

Uma exposição no Centro Cultural da UFMG, apresentação de obras de arte em locais publicos, semana de palestras, sessões de cinema e workshops serão os principais acontecimentos do projeto Contaminações.

Idealizado por Lililan Oliveira e fomentado por Ataides Braga e ILTDA. grupo de 8 artistas plásticos, o projecto Contaminações se desenvolveu com trabalhos de pesquisa, planejamento e execução por 10 meses.

O grupo de arte ILTDA inclui: Cristina Maure, Geraldo Cezanne, Guilherme Machado, Jennifer Marie, Lilian Oliveira, Ludmila Loureiro, Melissa Mendes e Max Barbosa.

Nov. 23rd, 1998

3ª Mostra Interna da Escola Guignard

Galeria da Escola Guignard

Rua Ascânio Burlamarque, 540

Belo Horizonte, Minas Gerais

A Mostra Interna é um evento anual que acontece na Escola Guignard-UEMG, ocasião em que é lançado um edital para os alunos do Bacharelado e Licenciatura em Artes Plásticas inscrevem seus trabalhos em Desenho, Cerâmica, Esculturas, Gravuras, Fotografia, Performance ou Pintura.

June 3rd 1995

Concurso FotogrÁfico da ComunicaÇÃo

Revele Belo Horizonte

PUC - MINAS

Exposição 1° a 8 de Junho de 1995

Departamento de Comunicação - Laboratório de Fotografia - Prédio 13 - 3° andar

Avenida Dom José Gaspar, 500 - Coração Eucarístico - Belo Horizonte, Minas Gerais, Brasil.

Jennifer Marie recebeu menção honrosa por sua foto em preto e branco do marco histórico de Belo Horizonte, o obelisco da Praça Sete no centro da capital mineira.

Fundraising EVENT

Oct. 2022

extended until Jan. 2023

Beyond Pink is a signature YWCA Princeton event that celebrates and commemorates local breast cancer survivors and community members of our Breast Cancer Resource Center (BCRC). Proceeds from the art show help keep the BCRC’s support services at minimal or no cost to those in need.

This organization was so supportive of me, giving me access to transportation and resources at critical moments of my cancer treatment. I am so honored to be able to give something back!

Two of my works are for sale during The 2022 Beyond Pink Art Show. This pop-up gallery is now being extended until January 2023. Those who are local, please support their cause and enjoy this art space.

Beyond Pink Art Show 2022

Extended until Jan. 2023.

Market Fair Princeton, NJ