Pierce Cabral Editions features a selection of images from the body of work of photographers Eugene Pierce and Jennifer Cabral. These photographs are being chosen and custom printed by the artists to create an unique Limited Edition Collection. Each edition is a testimony of a partnership est. 2007 and ongoing.
Pierce Cabral Editions
Our body of work.
Now it’s yours.
FINDING GENE
Did you know FOTOFOLIO printed several photographs by Eugene Pierce as postcards?
FOTOFOLIO is known as the leading publisher of fine art and photographic postcards and collaborated with important photographers and artists of the 20th and 21st century.
Since 1975, FOTOFOLIO has worked closely with artists and their foundations including Brassaï, Henri Cartier-Bresson, Mark Rothko, Nan Goldin, Jean Michel Basquiat, Richard Avedon, Robert Mapplethorpe, Wolfgang Tillmans, Berenice Abbott, Man Ray just to name a few.
Can you guess which one of these postcards is Gene’s?
Click on grid to find out.
PIERCE CABRAL EDITIONS PRESS
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Learn about our latest participations.
PIERCE CABRAL EDITIONS
Latest Participations.
New vistas.
FALL 2025
GUEST ROOM
ARCHITECTURES OF POWER
Berlin, Germany.
DerGreif @der_greif In collaboration with the Deutsche Börse Photography Foundation @dboersephotographyfoundation put out an irresistible call. Starting today a series of works exploring “Architectures of Power” will be featured at DerGreif @der_greif In collaboration with the Deutsche Börse Photography Foundation @dboersephotographyfoundation . This was an irresistible open call exploring archives, infrastructures, land, people and histories. Very glad to be challenged to create dialogues weaving such powerful themes.
How could I resist such a call?
"Power drifts between what is visible and what is hidden. Images act like decrees, shaping how we see land, people, and histories. They have been used to plan, police, extract, and persuade but they can also challenge and resist those forces. Power is not abstract; it is material. It is built, zoned, cooled, metered, lit, and secured. It lives in roads, substations, fibre routes, warehouses, ports, and data centres – the architectures of power that draw energy and water, control movement, and reshape neighbourhoods. Photography can trace these structures, making so-called ‘immaterial’ ideologies tangible by showing how they bind energy, water, land, and labour. Histories persist in easements, parcel lines, and place names, shaping how power is experienced, felt, and lived. Archives are infrastructures too – systems that classify, index, and withhold. Photographs have long served states and corporations as tools of proof and persuasion. Yet they also circulate as counter-evidence, disrupting official records and surfacing local and situated knowledge. We invite series that treat photography not only as expression, but also as method and evidence. Field photographs, rephotography, technical or administrative images, public records, and community documentation are all welcome – alongside more interpretive and experimental approaches."
Photographer and visual artist Sarker Protick @sarkerprotick joins forces with photographer and Aalto University associate professor Donald Weber @donaldweber collaborated as curators for this editions titled "Architectures of Power".
Oct. 27th to Nov 14th, 2025
SUPPORTED BY
Collective VIDEOART & PHOTOGRAPHIC RESEARCH
MADONNAS & FRIDAS
Museu da Imagem e do Som de Santa Catarina (MIS/SC)
A multimedia extension of the project MADONNAS E FRIDAS has become a videoart with an in-person launch date at the Museum of Image and Sound of Santa Catarina in Brazil.
The event offers the public the opportunity to explore the poetic and theoretical research, developed over nine months, which critically reflects on the subjective and political experience of motherhood through art and photographic language.
Drawing from her photographic series “Contemporary Madonnas” and “The Two Sabiás”, produced between 2012 and 2025, Ana Sabiá structures her research and essay writing, interweaving visual arts and creative processes, literature, and women’s history from feminist perspectives.
The Multimedia Room of the Museum of Image and Sound of Santa Catarina (MIS/SC) will host, on September 12 at 7 p.m., the launch event of “Madonnas and Fridas: Art and Motherhood as Political Agencies”, by artist Ana Sabiá.
This project was supported by the FUNARTE Marc Ferrez Photography Award – 17th Edition. Organized by: FUNARTE – National Arts Foundation; Ministry of Culture; Federal Government of Brazil.
ARTISTAS PARTICIPANTES:
@ale.b.art @aanaflor @ana_musova @andreabernardelli @ceciliacavalodesol @chrisbueno_ @borges_clarissa @lumaternacoletivo @fotografadiamantina @cynthiao @dani_de_moraes @danbalestrin @dpetrucci.vintage @dani.eorendjiantorrente @dimenegazzi @elisaelsie @fabisalomaofotografia @fernandaklee @_ilana_bar @irminawalczak @janacunhafotografia @jennifercabral @kacaetano @laura.aidar @leticiavalverdes @photowitnessing @liadepaula.foto @luciana_whitaker @luizakons @madamepagu @mariameteora @maridequeiroz @marstarosta @espacolatente @mari_hauck @marianamachadofotografia @marinalunafoto @marina.foto.grafias @marisibilini @martasuzi_fotografia @melissaflores_art @moniqueolive_photography @nanamoraes_fotografia @patriciadiasbelaestilosa @patgouvea @paula_huven @prilda @sandraresende.art @tamiorlandofotografia @atatianareis @vamendonca @zuleikas
ADDITIONAL SCREENING
Esta Videoarte foi exibida nos dias 13 e 14 de setembro 2025 em Santo Andre, SP durante o Festival de Fotografia de Paranacicaba. Na sala principal do Cine Lyra.
Horarios: sábado, das 10h30 às 13h30 e das 16h30 às 18h, domingo, das 10h às 13h30; e na sala anexa: sábado e domingo das 10h30 às 16h.