Pierce Cabral Editions features a selection of images from the body of work of photographers Eugene Pierce and Jennifer Cabral. These photographs are being chosen and custom printed by the artists to create an unique Limited Edition Collection. Each edition is a testimony of a partnership est. 2007 and ongoing.
Pierce Cabral Editions
Our body of work.
Now it’s yours.
FINDING GENE
Did you know FOTOFOLIO printed several photographs by Eugene Pierce as postcards?
FOTOFOLIO is known as the leading publisher of fine art and photographic postcards and collaborated with important photographers and artists of the 20th and 21st century.
Since 1975, FOTOFOLIO has worked closely with artists and their foundations including Brassaï, Henri Cartier-Bresson, Mark Rothko, Nan Goldin, Jean Michel Basquiat, Richard Avedon, Robert Mapplethorpe, Wolfgang Tillmans, Berenice Abbott, Man Ray just to name a few.
Can you guess which one of these postcards is Gene’s?
Click on grid to find out.
PIERCE CABRAL EDITIONS PRESS
What are we up to?
Learn about our latest participations.
PIERCE CABRAL EDITIONS
Latest Participations.
New vistas.
LATEST PUBLICATION
EYES ON THE WORLD vol.1
KAMIRA INSTITUTE. Paris, France
Just receive a copy of the publication EYES ON THE WORLD released by Kamira Institute @kamira.institute this past November in Paris. Thank you so much @raedbawayah. I can see on each page how the care and kindness in our interactions transpire on each page. May it be the 1st issue of many to come.
Born in Ramallah, Palestine, and trained at the Musrara School of Photography in Jerusalem, Raed Bawayah lives and works in Paris. He founded Kamira Institute in 2024 with the intention to promote photographic art based on excellence, sharing, social engagement, openness, and diversity.
This first issue presents the diversity of contemporary photography bringing together photographers from a wide range of backgrounds, offering a plural vision of current photographic practice. So honored to be part of it!
PS: there are two Brazilian woman photographers on this book! @analealphoto is here with me!
Latest Training
INTERNATIONAL CENTER OF PHOTOGRAPHY
ICP Labs, New York City
Reminiscence of two days at the Digital labs of International Center of Photography in the lower east side taking a course on film legacy scanning. Thanks to Zack Pintchik for hours of patience and expertise. Such a treat to have this opportunity to learn new techniques so I can bring our film catalog into it’s full potention and expand the images available in our print catalog.
You can see one of Gene Pierce’s photographs in this video. Part of a series of portraits we are printing lately.
#filmscanning #digitization #legacyscanning #training #icp
GUEST ROOM
ARCHITECTURES OF POWER
Berlin, Germany.
DerGreif @der_greif In collaboration with the Deutsche Börse Photography Foundation @dboersephotographyfoundation put out an irresistible call. Starting today a series of works exploring “Architectures of Power” will be featured at DerGreif @der_greif In collaboration with the Deutsche Börse Photography Foundation @dboersephotographyfoundation . This was an irresistible open call exploring archives, infrastructures, land, people and histories. Very glad to be challenged to create dialogues weaving such powerful themes. The online exibition will release new images every day between Oct. 27th to Nov 14th, 2025 and will be permanently available on DER GREIF digital archive.
How could I resist such a call?
"Power drifts between what is visible and what is hidden. Images act like decrees, shaping how we see land, people, and histories. They have been used to plan, police, extract, and persuade but they can also challenge and resist those forces. Power is not abstract; it is material. It is built, zoned, cooled, metered, lit, and secured. It lives in roads, substations, fibre routes, warehouses, ports, and data centres – the architectures of power that draw energy and water, control movement, and reshape neighbourhoods. Photography can trace these structures, making so-called ‘immaterial’ ideologies tangible by showing how they bind energy, water, land, and labour. Histories persist in easements, parcel lines, and place names, shaping how power is experienced, felt, and lived. Archives are infrastructures too – systems that classify, index, and withhold. Photographs have long served states and corporations as tools of proof and persuasion. Yet they also circulate as counter-evidence, disrupting official records and surfacing local and situated knowledge. We invite series that treat photography not only as expression, but also as method and evidence. Field photographs, rephotography, technical or administrative images, public records, and community documentation are all welcome – alongside more interpretive and experimental approaches."
Photographer and visual artist Sarker Protick @sarkerprotick joins forces with photographer and Aalto University associate professor Donald Weber @donaldweber collaborated as curators for this editions titled "Architectures of Power".
Series: “Sepression. Possession. Repression.” (2025)
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